Vassilis “Basil” Poledouris (August 21, 1945 – November 8, 2006) was a Greek-American music composer who concentrated on the scores for films and television shows. Poledouris won the Emmy Award for Best Musical Score for work on part four of the TV miniseries Lonesome Dove in 1989. He is best known for scores such as Conan the Barbarian (1982), and RoboCop (1987).
Born in Kansas City, Missouri, Poledouris was a Greek-American.[1] He credited two influences with guiding him towards music: the first was composer Miklós Rózsa; the second his own Greek Orthodox heritage. Poledouris was raised in the Church, and he used to sit in services enthralled with the choir’s sound.[2] At the age of seven, Poledouris began piano lessons, and after high school graduation, he enrolled at the University of Southern California to study both filmmaking and music. Several short films to which he contributed are still kept in the university’s archives. At USC, Poledouris met movie directors John Milius and Randal Kleiser, with whom he would later collaborate as a music composer. In 1985, Poledouris wrote the music for the movie Flesh & Blood of Dutch director Paul Verhoeven, establishing another durable collaboration in films.
Poledouris became renowned for his “powerfully epic style” of orchestral composition and “intricate thematic designs”. He scored the music soundtrack for The Blue Lagoon (1980; dir: Kleiser); Conan the Barbarian (1982; dir: Milius); Conan the Destroyer (1984); Red Dawn (1984; dir: Milius), RoboCop (1987; dir: Verhoeven); The Hunt for Red October (1990); Free Willy (1993) and its first sequel Free Willy 2: The Adventure Home (1995); Starship Troopers (1997; dir: Verhoeven); and For Love of the Game (1999).
Poledouris’s studio, “Blowtorch Flats”, is located in Venice, California, and is a professional mixing facility specializing in film and media production.
Poledouris married his wife Bobbie in 1969; they had two daughters, Zoë and Alexis. His elder daughter, Zoë Poledouris, is an actress and film composer, who occasionally collaborated with her father in composing film soundtracks.
